Cultural, or collective, memory references the shared experiences and knowledge that transcends individual recollections. Such a concept invites us to rethink our understanding of memory, moving beyond a purely biological framework to a cultural one. Instead of viewing memory as a solitary process, we can begin to recognise it as a collective entity. 

Acquille Dunkley’s work holds a mirror to the everyday elements of life in Jamaica: the banging of the domino table, the rush of the coaster bus, the sight of a marina hanging on the line. Each representation, a shared cultural memory crafted from Dunkley’s imagination, reinterpreted through the intricate digital worlds he creates. This reimagining is further enriched by our shared experience of his work. What do we feel when we see our culture reflected back at us - Are we reflective? Nostalgic? Proud? Surprised? Perhaps, what we perceive as ordinary in our everyday lives, isn’t so ordinary after all, and is, in fact, imbued with deeper significance. 

With works created specifically for this exhibition, Reimagining Cultural Memories, reveals a deep reverence for the fundamental aspects of our lives in Jamaica. It captures a pivotal moment in time as our world continues to navigate rapid technological advancements and globalisation. Dunkley’s use of digital art to safeguard and materialise the intangible aspects of our culture, offers exciting new possibilities in sharing our heritage with future generations.

Reimagining Cultural Memories serves as a powerful reminder to Jamaicans, for us to tell our own stories, and to celebrate the richness and depth of our lived experiences.